Monday, June 12, 2017
Buck Curran's acoustic guitar instrumental 'River unto Sea' (from 'Immortal Light') in the June 2017 issue of Acoustic Guitar Magazine
Wednesday, May 24, 2017
photos taken at Schuxenhaus, Ins Switzerland 5 May 2017 by David Manuel Stucki
Adaya CD Release Show @ Insgeheim, Ins, Switzerland 6 May 2017. Photos by Michel Villard
Adaya CD Release Show @ Insgeheim, Ins, Switzerland 6 May 2017. Photos by Thomas Schneeberger
Various shots performing with Adaya & Band in Switzerland May 2017 with what I consider a Holy Grail Les Paul. It's a 2008 Gibson Custom Shop JB Sig Goldtop ser no. 270 (of 300 run). Pickups are dynamic and massive sounding..only mod I've had done is having Lindy Fralin do front pickup magnet flip.
Monday, April 10, 2017
Wednesday, April 5, 2017
I played this custom made amp this morning…made by Ted Hayes of Evil Twins Amps & Tube Electronics (out of Bristol, Rhode Island)...One of the Best Sounding and most Beautiful amps I've ever played!
Monday, March 20, 2017
Buck Curran Acoustic Session for Le Cargo! Paris, France 3 February, 2017. Performing 'New Moontide' from the new album 'Immortal Light' out via Obsolete Recordings and ESP-Disk'.
Full Session here: http://www.lecargo.org/spip/buck-curran/session-acoustique-861/article9304.html
Friday, March 17, 2017
I've written an article...a small labour of love about Five Essential 'Live' Solos by Peter Green for Guitar Player Magazine. Original photo by George Wilkes Archive.
I also want to add a public statement to my article: I love Claptons early work and his role w/Bluesbreakers is key to PG's history. To clarify regarding my comments about Clapton. I am only stating in article that Peter Green's work was On Par/Equal to Clapton's best. Peter Green's work deserves to been celebrated along with Clapton. It's unfortunate that when I was growing up, I never even heard of Peter Green..cause nobody was talking about him...while Clapton was everywhere, I am Grateful for both musicians.
Thursday, March 16, 2017
'Immortal Light' reviewed in the new issue of Acoustic Guitar Magazine, April 2017. Review by Adam Perlmutter.